A Problem I’ve Been Having

I’ve become so intertwined with my work.

I guess this is good. The stuff is just me. The problem is its so me that I’m protective of it. I don’t want anyone to know.

Perhaps, however, if they did know the stories of the work, it would help them to appreciate said work. A title provides context, but is it enough? Do my titles need to be more revealing? Do my descriptions need to be more in-depth?

Or can I provide a hint and a little bit of context and rely on you to enjoy it anyway?

yel

 

Everything I Know About Him

(2013)

spent matches, collected circles, text on trace, war used binoculars, rusted soap dish.

 

Do I have to tell you who ‘him’ is and what it is I know?

This is what I’m struggling with right now.

 

There is no ‘Right Track’

But I think I’m on it.

It’s 4 weeks into the semester and I’m having so much fun. Things are just working. I had a meeting with my tutor Graham Fagon this week, he’s been very encouraging to talk to so far. I explained to him my ideas and the things I wanted to do this semester, he seemed genuinely enthusiastic about my plans which is always quite motivating. I’m hoping to have a little collection of work by the end of the semester as opposed to just one final piece. So I’m actually working on 4 or 5 different pieces at the moment. Although related in theme and style, the medium and aesthetic will vary.

Today, I finished the grid for my bottle project. This is a very exciting development. Having been in woodwork all week I’ve spent most of the afternoon scratching at my hands getting paranoid about skelfs. It was oddly satisfying when at half past 5 today I pulled a 2mm splinter of wood out of my palm.

          

I did a little test run, attaching it to the wall and arranging the 84 bottles. I’ve not yet tried the contact lenses in the piece yet and there are a couple of other accompanying factors to create before this ‘Everything I’ve Ever Seen’ work is complete. But the work is steady and so far successful.

I’m also planning to work with a pair of binoculars I acquired last year. After all that musing on the irrational stowing of emotion within an object, I started covering some of the objects I had lying around in paper. It’s kind of a ‘presentation vs. preservation’ thing. Why do we keep things? For the aesthetic and purpose, or to preserve something more abstract?

I’m thinking about casting these binoculars, so I can play about with multiples of them. In my head I see shelves of the same object, covered in paper. It’s such an interesting shape to work with. I don’t want to damage the binoculars though. They date back to 1918 and WWI. First thing Monday morning I’m heading down to Sculpture to figure out my options.

So yeah there’s no specific track I should be on right now. But I’m making work and I’m loving it.