Degree Show

A glimpse of the exhibition of my final work at DJCAD.  I was eager to make my portion of the studio an inclusive space and allow the pieces to compliment each other. The gallery aesthetic and context are crucial in my practice and so the final presentation takes a lot of time and effort.

1ds

Sweet Diatribes

324 papers on large glass, and constructed display 

 

3ds

 

Shirt Pattern (detail)

Repeated type on 4 metre tracing paper scroll

 

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Tangible (almost)

A Wall Collective

 

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January Luxated

Nail varnish on large gridded glass, and constructed display

 

2ds

 

Let There Be

Fishing tackle box, broken bulb and used foil

 

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rrr

Remains of DJCAD Degree Show 2012

All that Glistens

Bronze cast of 1970’s collected baking tray

interAction(s) Away

Liam, Lada and I have had our project interActions(s) running in the Matthew Cabinet at DJCAD since February, so it was weird having to take it all down today.

Here’s a final snap.

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I’m glad to have been asked to take part in the visual dialogue. The experience added further depth to my work this semester and contributed greatly to my enjoyably busy schedule.

I’ve kept records of all the interactions between Artists A and B and the curator, both online and in book form. I would site this as a highlight of my art school career and am sad to see the cabinet blank white again.

 

Memories I No Longer Need – A Conversation Between Jonathon Baxter & Pete Kinnear

I met Jonathan Baxter a few weeks ago during his ‘Post-Mortem’ residency at Generator. I cannot begin to describe the exhibition space he inhabited. A collectors haven, would be a start. A life size archive of… well as far as I could see, everything. Including the nothings we often disregard. There were boxes of broken eggshells and drawers of used packaging, assemblages of bone parts and discarded tea bags. I found it fascinating.

Jonathan and I got talking and while rummaging through his space we came across a box the artist had acquired some years ago. Jonathan passed this box onto me and so it was that ‘Memories I No Longer Need’ came to be an artwork included in the current exhibition I am curating, ‘Relics of Attachment Part II’.
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This chance meeting led to another string to the Relics bow. Jonathan and I arranged for Pete Kinnear and himself to conduct a discussion to accompany the exhibition.

This took the form of a conversation and unpacking of the box between Jonathon Baxter and the original owner of the box and its contents,
talk3Pete Kinnear.

The title the box was given when it became an artwork was ‘Memories I No Longer Need’ with the description attached, “an exchange of archives from Pete Kinnear to Jonathan Baxter, from Jonathan Baxter to Rachael Disbury, from Rachael Disbury to Relics of Attachment.”

The conversation was attended by 23 artists. It became a very animated hour or so. A particularly fond moment involved Pete unpacking a ball of twine from the box. Jonathan attached this to his coffee mug and threw it into the audience. Within 5 minutes the entire audience was intertwined.

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Huge thanks are due to Jonathan and Pete for providing a very enjoyable afternoon. I am very proud of all the time and energy invested in the Relics of Attachment project.