A glimpse of the exhibition of my final work at DJCAD. I was eager to make my portion of the studio an inclusive space and allow the pieces to compliment each other. The gallery aesthetic and context are crucial in my practice and so the final presentation takes a lot of time and effort.
324 papers on large glass, and constructed display
Shirt Pattern (detail)
Repeated type on 4 metre tracing paper scroll
A Wall Collective
Nail varnish on large gridded glass, and constructed display
Liam, Lada and I have had our project interActions(s) running in the Matthew Cabinet at DJCAD since February, so it was weird having to take it all down today.
Here’s a final snap.
I’m glad to have been asked to take part in the visual dialogue. The experience added further depth to my work this semester and contributed greatly to my enjoyably busy schedule.
I’ve kept records of all the interactions between Artists A and B and the curator, both online and in book form. I would site this as a highlight of my art school career and am sad to see the cabinet blank white again.
‘Relics of Attachment Part I’ is an exhibition I’ve been organising with some fellow Student Curatorial Team members. It features a collection of artwork inspired by the concept of nostalgia and sentimental objects.
Tonight was the introduction to this project. There was a lot of footfall, a lot of interest, and generally a good feeling all round.
Take a look at our work.
RELICS OF ATTACHMENT PART I
A – Lucas Battich, Amsterdam Lelylaan Schiphol // Edinburgh Glasgow
B – Lisa Gordon, Promises Light
C – Vivienne Russell, Five Seasons
D – Cathy O’Brien, Empty Packages
E – Rachael Disbury, Everything I know about him
This project took a lot of time and planning but I feel our work is paying off. I love the buzz of all this organising. Curating ain’t so bad.
We’re hosting a meeting tomorrow to encourage other artists to submit work for Part II of this project. The 14th of February should see a larger exhibition presented in the Cooper Gallery. So there’s really no time to relax for us!
So I’ve been saying recently that the work was slowing down a bit. Well we’re back in business now. Thursday was a good day. I was on campus at 9.30 in the morning and didn’t get home till half past 8 that evening. It was one of those days where I just remembered how in love with art I am. And then consequently realised how sappy I am also… But sounding sappy aside, I do enjoy days like that. I spent the day on the floor of my studio working away, occasionally nipping outside to steal some sun, and drifting in and out of arty chat with my studio mates.
We’re at that stage in the semester now where I can confidently say “It’s all coming together”. The work is mostly done and the space is looking good. Theres a few things still to do, sketchbooks and organisational touches, but I still have three weeks to go and I’m not panicking yet… which is unusual.
Everythings very chilled and ‘nice’ right now. My work is progressing steadily, the semester is coming to a relaxing end and it is sunnysunnysunny. Things are looking gooood.
My studio is in preparation mood. Getting there though. I can see the end, and it looks alright. Deadline is 23rd of April. Wish me Luck.
Its a really boring task wrapping 25 awkward shapes in paper. Really boring. And its taken up a sizeable part of my week. Because it’s so boring. The best days in art school are the ones where you’re literally running between departments, fuelled by instant cappuccino and barely stopping to realise its got to 7pm. This week has had no such shine. Theres been a lot of dull important things to do. Like dissertation meetings and picking up/dropping off work at various places. Its caused a bit of a stall, but hopefully Monday I’ll be back with a buzz.
So yeah, I wrapped the binoculars and I really don’t want to look at them for a couple days. Hooray for the weekend. People keep asking “oh, so what does this mean?”. Perhaps I’m just a bit distracted this week because my explanations have been sounding a bit lacklustre and I’ve been getting irritated with the question in general. Its just my random thoughts… but in 3D and stuck on a wall.
I’ll try a more formal answer?
My work is about memory, nostalgia and obsessive sentimentality. This piece again is about the assignment of emotion to an object and about the dilution of the objects original value or purpose. Its the memory attached to the object that is important, the thing itself could really be anything. Hence why I’ve covered objects up here and multiplied them, to kind of highlight this loss of significance in the object itself and the importance of personal attachment. I’ve taken away the aesthetic and the purpose, you can’t use them if they’re wrapped up. Get me?
Anyone else think sometimes things are nice without an explanation?