16th of May

16th of May. 5am. How can I sleep?

This week has seen the attainment of my honours degree in Fine Art and an acceptance from Edinburgh College of Art to study Contemporary Art Theory with them. And its Degree Show tomorrow. “eek”.

I am looking forward to the event and appreciate the effort my friends and family have made with travelling up to Dundee. I have no idea what the night will have in store for me and ‘nervous’ doesn’t seem to cover what I’m feeling. It’s 5am. I can’t sleep.

Here’s a sneak preview of what to expect from me tomorrow, I hope to see you all there.

 

All

 

All That Glistens

Solid bronze cast of collected 1970’s baking tray

2013

 

 

Multiplying

Plaster Casting is fun. Having made a clay replica of my binoculars I then had to build a wall around them and melt some rubber to make a mould. (Stirring melting rubber really made me want melted chocolate… even though this mixture was red and had a strong distinctive smell.)The process of making the mould all went a lot smoother and more quickly than I imagined. Happy Rachael.

I made it on Tuesday and spent the rest of that week mass producing my binoculars. Each cast of binoculars took half an hour to set. This was ideal, I’d go down to sculpture and mix the plaster to pour into the mould and then run to metal with a set block of time to continue my other project. I like having targets and deadlines, it motivates me to keep moving. Structure seems to give me a buzz… that sounds weird.

           

I like having my space looking semi-formal, it allows me to view the pieces more finally and see if every things working and how they compliment each other. So I got shelves put up as soon as possible to keep the binocular project moving. I can’t function in a messy space either, so its important having some order. I’m becoming a bit obsessed this semester… Structure. Multiples. Order. Timing.

So now I need to wrap up the binoculars and get this part of the project finished. We had a group crit yesterday, this is when a group of fellow art students circulate the studio and talk about each others work. It’s insightful to hear what viewers are getting from it. My feedback seemed to be pretty in line with what I’m thinking. I’m starting to become aware that there are only 5 weeks left, I’m ‘on track’ but I think that pressure wave is gonna’ hit soon.

There is no ‘Right Track’

But I think I’m on it.

It’s 4 weeks into the semester and I’m having so much fun. Things are just working. I had a meeting with my tutor Graham Fagon this week, he’s been very encouraging to talk to so far. I explained to him my ideas and the things I wanted to do this semester, he seemed genuinely enthusiastic about my plans which is always quite motivating. I’m hoping to have a little collection of work by the end of the semester as opposed to just one final piece. So I’m actually working on 4 or 5 different pieces at the moment. Although related in theme and style, the medium and aesthetic will vary.

Today, I finished the grid for my bottle project. This is a very exciting development. Having been in woodwork all week I’ve spent most of the afternoon scratching at my hands getting paranoid about skelfs. It was oddly satisfying when at half past 5 today I pulled a 2mm splinter of wood out of my palm.

          

I did a little test run, attaching it to the wall and arranging the 84 bottles. I’ve not yet tried the contact lenses in the piece yet and there are a couple of other accompanying factors to create before this ‘Everything I’ve Ever Seen’ work is complete. But the work is steady and so far successful.

I’m also planning to work with a pair of binoculars I acquired last year. After all that musing on the irrational stowing of emotion within an object, I started covering some of the objects I had lying around in paper. It’s kind of a ‘presentation vs. preservation’ thing. Why do we keep things? For the aesthetic and purpose, or to preserve something more abstract?

I’m thinking about casting these binoculars, so I can play about with multiples of them. In my head I see shelves of the same object, covered in paper. It’s such an interesting shape to work with. I don’t want to damage the binoculars though. They date back to 1918 and WWI. First thing Monday morning I’m heading down to Sculpture to figure out my options.

So yeah there’s no specific track I should be on right now. But I’m making work and I’m loving it.