A Problem I’ve Been Having

I’ve become so intertwined with my work.

I guess this is good. The stuff is just me. The problem is its so me that I’m protective of it. I don’t want anyone to know.

Perhaps, however, if they did know the stories of the work, it would help them to appreciate said work. A title provides context, but is it enough? Do my titles need to be more revealing? Do my descriptions need to be more in-depth?

Or can I provide a hint and a little bit of context and rely on you to enjoy it anyway?

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Everything I Know About Him

(2013)

spent matches, collected circles, text on trace, war used binoculars, rusted soap dish.

 

Do I have to tell you who ‘him’ is and what it is I know?

This is what I’m struggling with right now.

 

Betrayal of a Typewriter

 VS.

Technology is making a strong argument against my manual Imperial typewriter at the moment.

I’ve had the idea in my head for a while to make a shirt out of typed text. The problem with this is that with a typewriter having set margins, I’ve been having to make the pattern in panels. This obstructs the look of the piece a little.

Yesterday I had a crit. My tutor suggested, “why don’t you just print out multiples?”.

“Well because… because I want to stay true to my materials… and well… because… oh that sounds difficult… and because…”

the dream‘the dream’

I muttered nothings for a few moments and then realised as lovely as the idea of me hand typing the whole shirt is, I’d be so much more productive if i sped up the process with more advanced technology. And technically I’ve still typed the original text that got copied. That counts, right? …Right?

It counts. I’ve come to terms with it now. By scanning in one printed panel and multiplying it on photoshop then printing it on the large scale art school printers, I can do 3 weeks worth of typing in an hour. So I can make more art. I believe this is what they call a ‘win-win situation’.

the reality‘the reality’

 

20 Bananas Laid to Rest

 

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The end of the banana project, and my submission into Relics of Attachment Part II.

“20 Bananas Put To Rest

Rachael Disbury’s work surrounds the themes of obsessive sentimentality. The artist has spent four months trying to preserve a banana peel. This piece shows the end of the project. It is up to the viewer if the artist was successful in her attempt. “

 

Memories I No Longer Need – A Conversation Between Jonathon Baxter & Pete Kinnear

I met Jonathan Baxter a few weeks ago during his ‘Post-Mortem’ residency at Generator. I cannot begin to describe the exhibition space he inhabited. A collectors haven, would be a start. A life size archive of… well as far as I could see, everything. Including the nothings we often disregard. There were boxes of broken eggshells and drawers of used packaging, assemblages of bone parts and discarded tea bags. I found it fascinating.

Jonathan and I got talking and while rummaging through his space we came across a box the artist had acquired some years ago. Jonathan passed this box onto me and so it was that ‘Memories I No Longer Need’ came to be an artwork included in the current exhibition I am curating, ‘Relics of Attachment Part II’.
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This chance meeting led to another string to the Relics bow. Jonathan and I arranged for Pete Kinnear and himself to conduct a discussion to accompany the exhibition.

This took the form of a conversation and unpacking of the box between Jonathon Baxter and the original owner of the box and its contents,
talk3Pete Kinnear.

The title the box was given when it became an artwork was ‘Memories I No Longer Need’ with the description attached, “an exchange of archives from Pete Kinnear to Jonathan Baxter, from Jonathan Baxter to Rachael Disbury, from Rachael Disbury to Relics of Attachment.”

The conversation was attended by 23 artists. It became a very animated hour or so. A particularly fond moment involved Pete unpacking a ball of twine from the box. Jonathan attached this to his coffee mug and threw it into the audience. Within 5 minutes the entire audience was intertwined.

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Huge thanks are due to Jonathan and Pete for providing a very enjoyable afternoon. I am very proud of all the time and energy invested in the Relics of Attachment project.

 

Relics of Attachment Part II Preview

Thursday evening saw the opening of Relics Of Attachment Part II. Yes, it was Valentines Day, and oh how romantic it was. We couldn’t have asked for a better turn out. The event was a huge success and we are very grateful to the 28 artists that took part and everyone else that was involved in this project.relics7

Cooper Gallery Project Space

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The preview ran from 5 til 7 and was heavily attended. We have received very positive feedback about the exhibition which runs until the 2nd of March.

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Our friends and fellow artists have been a great help in this process. Harriette baked brownies for the occasion, and a group of my old friends made a surprise appearance. The middle image below shows Liam Dunn performing a reading from his ‘Fuckist Manifesto’, which was also a great success and brought another dimension to the evening.

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We were able to exhibit a wide selection of work in varying mediums. A lot of work went into this project, from the small details of what wine to serve to the larger tasks of making the accompanying publication. The five of us on the Relics team have had a hectic few months.

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 Perhaps we can sleep now… oh wait, there’s that Degree Show thing coming up…

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Fun A Day

hiFriday night saw the exclusive exhibition of work from Fun A Day Dundee, 2013. This was a project where the objective was to make a piece of work a day for each day in January, and to have FUN. And so we did.

My piece consisted of 31 acetate frenetic texts placed over 31 moleskin pages with colour coded squares of what I did that day. The result is actually quite a personal piece, which I’m not sure I like. I felt slightly exposed with it just hanging there.

A worthwhile show though and I’m not gonna ditch the piece. I definitely feel it should be altered in some way though.

 

Fun a Day

 

Detail

 

 

It was January in the (new) year, 2013

31 type on acetate and 31 coloured pencil on moleskin squared paper

 

 

 

 

 

 

 

 

For more info on Fun A Day, go to: www.funadaydundee.wordpress.com

 

Relics of Attachment Part II

Today has been BUSY. Capital letters and everything. I’ve been working on a couple different pieces for various exhibitions. Tomorrow and Friday I hope to finish my piece for Relics of Attachment Part II. Here’s a sneak peak at the poster.

 

part II poster

 

Come along, drink some wine, even look at some art.

 

Opening Night

‘Relics of Attachment Part I’ is an exhibition I’ve been organising with some fellow Student Curatorial Team members. It features a collection of artwork inspired by the concept of nostalgia and sentimental objects.

Tonight was the introduction to this project. There was a lot of footfall, a lot of interest, and generally a good feeling all round.

Take a look at our work.

Relics of attachment

RELICS OF ATTACHMENT PART I

A – Lucas Battich, Amsterdam Lelylaan Schiphol // Edinburgh Glasgow   

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B – Lisa Gordon, Promises Light

C – Vivienne Russell, Five Seasons       

D – Cathy O’Brien, Empty Packages

E – Rachael Disbury, Everything I know about him

 

This project took a lot of time and planning but I feel our work is paying off. I love the buzz of all this organising. Curating ain’t so bad.

Installation

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Audience Opening Night

 

Curators
Our Team
We’re hosting a meeting tomorrow to encourage other artists to submit work for Part II of this project. The 14th of February should see a larger exhibition presented in the Cooper Gallery. So there’s really no time to relax for us!